This piece explores society’s obsession with beauty and self-image — especially the feminine experience of constantly being seen, evaluated, and judged. The ornate white frames evoke the decorative and performative aspects of beauty culture, while the mirrors themselves, deliberately misaligned, prevent the viewer from seeing a full, accurate reflection.
The round pink base gives the work a soft, almost cosmetic feel — like a powder compact — but its volume and physical presence assert something deeper. It’s not just a visual object; it’s a sculptural confrontation.
You lean in to see yourself, but you can’t.
And maybe that’s the point.
